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Oct 26th

Аward to international competition for young artists

By Adrian

Аward to international competition for young artists "Radiance" - 2010

Marian Atanasov | 25 Oct 2010, 17:34

FREE  INSTITUTE  FOR  INTERCULTUR AL  EXCHANGE  AND  EDUCATION

  FIIEE  -  MASTER  GROUP   -  Europe , Bulgaria

International  competition

 for  young  artists   „ Radiance „   -   2010

 / seventh  edition  of  the  competition /

 +  Rights  for  participation    -   young  artists  in  the  field   of  fine  arts    / researchers   at  the  age  up   to   48   / forty-eight /   years .

+ Theme  of  the  2010  contest  -   " Ancient  codes  of  my  people " .

+  Period  for  submitting  the  competition  works  –  from  19.05  to  19.09.2010.

+  Authors who participated in the contest   -  123 authors  from  22  countries .

+  Nomination of  5 / five / participant  for  the  prize  of  the  contest   -   until  20.10.2010  :

Cranta  Crina   -  Romania

Elisabetta  Fazi   -  Italy

Savitchi  Ecaterina   -  Republic of Moldova

SARAWUT  CHUTIWONGPETI   -  Thailand

Mehriban  Efendi (Efendiyeva)   -  Azerbaijan

+  Announcement  of  the  results  from  International  competition  for  young  artists  “ Radiance „ – 2010   -    25.11.2010 .

 +  Аward  to  international  competition  for  young  artists   "Radiance" - 2010

Mehriban  Efendi (Efendiyeva)   -  Azerbaijan

 The  organizers !

 „ F I I E E   -   MASTER   GROUP „   -    Bulgaria

Marian Atanasov  -   manager / director -

mail  :  marian_atanasov@abv.bg

mail  :  mg.tour@yahoo.com   

Bl.- 62, vh.- G , ap.- 88

“Vazrojdensi”

Kardjali – 6600

Bulgaria

Europe

Sep 26th

Interpreting a Painting...

By Jax

I recall years at school studying paintings of the Great Artists where  I had this really over-zealous, extrovert Art teacher who went into great depths to describe the artists emotional state in a particular piece, and I would sit there thinking  that the teacher needed to see a shrink!

I then studied color therapy as part of a counseling course that I did a few years back and am absolutely intrigued by it still. It has helped me to understand how to channel emotion into a painting. Although I do believe that as with every artist and in fact with every human being, our visual perception of color differs from one person to another. Our views are as unique as a finger print. So unless we are absolutely familiar with the artist, (which would allow us to understand the artist’s interpretation of color) I personally would never dare to try and interpret too much into understanding the artist’s message, unless it is blatantly obvious.

Art interpretation is as personal to you as it is to the artist who painted it; as a painting is about emotion ...guided or spontaneous; whether it be your own emotion or the Artist's who painted it.  It is wonderful to share these views with others as it allows you into a small place inside them... this is how Art Therapy works. It is a way to express yourself and to be guided into putting what you see into words.

Last year I painted this Triptych and put it onto my Facebook Group page. I asked someone to give an interpretation of this painting. I was ASTOUNDED at what she wrote. I did this in order to prove this theory.

 I have posted this painting below and my interpretation below that. 

 If you as an artist want to showcase your work and get people interested in you as a person as well as your art, it is really important that you say something about the painting. Ok my description is way too long but a short description or a title that will guide the emotion of the viewer is so important. Viewers want to know 

·          What is the size of this painting?

·         What medium did you use and what is it painted on?

·         What is it called or what inspired you to paint it.

If you want a viewer to know what the painting is about, then tell them! Sometimes this helps to get their attention and interested in what they are looking at.

 Retribution smaller.JPG

Retribution

60”x60”x1.5” (1.5m x1.5m) hung. 3 x canvas Triptych

Acrylic on Canvas

The paintings in the triptych format speak of three different states or realms for the two main characters. The centre is the mundane world or place of contest between good and evil the stage, if you will, separated by the states of existence of the Angel on the right a subconscious signal of good in western mindset and the temptress on the left once again indicative of temptation evil.

The angel is chained with the chain linking the three images. The theme for me is Downfall as a result of lust indicative of the red sky and the partial nudity of the characters. The angel is bound by lust to the mundane world through the charms of the temptress; the theme of which we find in the Judeo Romano biblical texts of Genesis, where the sons of heaven came to earth taking wives from the daughters of men.

The figure of the temptress further reinforces the theme by the glove on the right hand holding the chain alluding to legends of the red right hand in popular folklore that denotes a sign of the agent of temptation.

I am greatly inspired by music. The song “Red Right Hand” by Nick Cave and the Bad Seeds was the initial inspiration of this painting.

The lightning in the centre painting denotes turbulence, despite the empty street; denoting calm. The danger is unseen; except for the trail of the chain.

Then there is the matter of the crows long associated as mythical figures in cultures associated with death and travel between worlds and states of existence, and also messengers from the other side. This is reinforced by the fact that besides the chain they are the only thing crossing more than one image. The direction of flight towards the left naturally in western mindsets leaves one slightly unsettled and draws the eye to the left as they are the only real movement giving the impression that the angel is being dragged by the chain towards the left and the temptress, almost as if denoting the strength of temptation. Also the fact that the angel’s wings span the two states. The wings are partway in the centre painting denoting that he has been pulled toward the temptress.

The angel is obviously a fallen angel. The state of his wings and the tattoos signify this.

 Retribution, the name, I thinks speaks for itself.

I created another blog on this similar topic of interpretation. It can be found here.... ...How do we Interpret?...
 

Sep 10th

The Artists Helper Group

By Jax

The Artists Helper Group

You as an artist know what it is like when you have an idea in you head that you are trying to get onto canvas and suddenly the wheels fall off! SO frustrating.
You have done something wrong or omitted to do something, but you can no longer see for looking....

Let your fellow artists be your eyes for a moment. Believe it or not, but sometimes even art lovers who do not have a creative bone in their bodies (or so they think) have an incredible ability to see something in a painting, they you may not have noticed.

This group is for everyone. Provided that we are constructive in our comments. Be brave! Be daring! and dare I say ...show a little trust. If the comments you receive are unfair or unjust or cruel, I promise to have your back. Nasty comment will not be tolerated. (I have an army up my sleevey! May your canvas always be tight and your colors hold light!

Regards Jax
Aug 29th

Follow us around the Easel

By easel team
Is it Sunday today? Well, my computer says it is!
Is it so different from any other day?

Since I have been living as an artist, Sundays have ceased to mean anything different to me, apart from the fact that our food supply shop is closed. 
And since I joined the Easelspace Team, about 2 months ago, well, the food supply problem has taken care of itself, as I hardly have any time left to eat!

But honestly: I love my life as an artist, and I love to work for Easelspace.  Always trying to better the place, to find new ideas to keep it attractive for the artists and the visitors (and for us too of course!), to solve the occuring problems, to help our members to reach their goals, this all keeps our brains wonderfully active for about 48 hours out of 24!

Now we enjoy following you, through your paintings and other activities here. We thought you might be interested in following us too. This is why we have decided to regularly let you know, by virtue of this blog, how things stand, what we do, what we feel, what we want,  what we don't want, what we hope, simple human stuff like that.

It would be great to hear your feedback sometimes, we are all human and we all need to know how we stand in this world! :-)

That's all for now, have a lovely (Sun)day!

Easel-ly yours

Miki
Jun 3rd

The Advantages to Buying Art On-Line, Memorial Day Sales & More

By Laura Barbosa
I never take a day off because I have to sell my art to survive and in today’s economy it is no easy task to succeed. As a mainly on-line Artist who sells original paintings over the internet weekly. I can truly say it is a wonderful experience for both myself and my clients.

Here are some Advantages to Buying Art On The Internet:

1)Saving Valuable Time 
You Save hours, days or even months of your time by not having to travel to galleries that might have what you are looking for.  Most galleries have professional websites now and you can browse their artworks and contact them on-line before traveling to their place of business.  “As an artist, I have also spent much of my time in the beginning of my career traveling to galleries with my portfolio and  I was hurting myself by doing it because the time lost could have been used for painting. Now Gallery Owners find me over the internet and contact me via email. I have shipped my paintings all over the world and recently to the Las Vegas Art District. For Buyers, Sellers and Gallery Owners, the internet is the key to success!

2) Save Money 
Buying Gas, Food and Drinks for an all day outing can add up to a large sum of cash. You can shop on-line with the greatest of ease and best of all it’s free!

3)  Easily Shop Thousands of Galleries
There are over 20,000 or more websites selling art over the internet so your variety increases and not only locally but on an international level. By buying art on-line, you can find artists all over the world and have the art shipped directly to your door. “I Love meeting new clients from around the globe. I have now sold my artwork to people in All 50 US States, Australia, The United Kingdom, & Canada so far.”

READ MORE!

May 31st

Sometimes its not so important to know what an artist created, feeling it just might be enough

By Mehriban Efendiyeva
Today.Az » Arts & Entertainment » Mehriban Efendi: Sometimes its not so important to know what an artist created, feeling it just might be enough
31 May 2010 [11:47] - Today.Az
Exclusive interview with an Azerbaijani surrealist artist Mehriban Efendi.

Mehriban hanum, your expression of arts has some very interesting points. I’d like to concentrate on them. You said, “nice music drives you up, and you lose your sense of reality”… Now, please tell how does music help you get your ideas? Does the music style matter? How, in your case, is music connected to the drawings you later do?

Yes, it is truth that a music which suits to my emotional condition drives me up.It is usually a spiritual one and also classical music too. I feel like in a trance and I really lose a sense of reality. Sometimes this condition is called meditating. While painting, I get an unusual feeling of being close to God, Space, and to the Universe. That mystic sense has been the primary inspiration that has allowed my imagination to transfer my feelings from the sub consciousness to the consciousness of a paper. And all this natural meditation experience started when I was 5 years old. Then, at the age of 7, I could not stop painting even though before I did not paint at all.

What is abstract art in your point of understanding? As an artist, how do you think abstract drawings (since you happen to draw like that, and like it) should be accepted by viewers?

I love freedom and independency and even though I obey to all the laws which help to prevent chaos. Abstract art is for me is expression of Your own point of view, your individuality. Not dictated by any rules or conditions. I am a surrealist artist. Surrealism, abstract or just modern art mentality is harder than one can comprehend. Sometimes people think that it is easy to paint some art piece which is not clear to understand, and complicated with figures or lines. But only professionals know that this ability requires more fantasy, and creativity.
 
I am in love with classic art style too. I believe that without studying the basics of classical art one cannot create an art piece properly. Besides, all the knowledge, talent and hardship work the creativity also require to have a your self in order to express yourself. Sometimes it is not so much important to know what an artist created. Feeling it just might be enough.

You participated in a “Surrealism Now” exhibition in Portugal, representing Azerbaijan. Please, tell us how you first got invited to the exhibition, what new attractions and views you experienced? How do works of other masters compare to yours?

“The International Surrealism Now exhibition “which  is organized by Bissaya  Barreto Foundation in Portugal,Coimbra is a unique event gathering together from all over the world  a great number professional well known  surrealist artists. The aim of this exhibition is to show the Surrealism Art of 21st century, by leading surrealist artists of the world living and creating nowadays. For the first time the artists are all together demonstrating their masterpieces. This project was launched 2 years ago and started for  the exploration and invitation of artists of  the World. The opening ceremony was in  the 20th of may 2010  in SANT´ANNA CONVENT AND BISSAYA BARRETO MUSEUM HOUSE in Portugal.

My art picture of  “Mugam” is being demonstrated to the public in this exhibition for the first time. It is a new picture and I started to paint it before getting the invitation from Santiago Ribeiro who expressed his wish for my participation in this art event, He considers that my style of expression is very imaginative and unique. He decided to send me the invitation even though the limits for participating was already finished and my situation was an  exception. I value this exhibition, because there are so many interesting artists and it seems, that there are has been a revolution in the art world. I think, surrealist artists get more understanding and interest to their unusual style of expression in this ecologically disaster world, full of negativity. And international projects like this one break all the walls which divide us from the information and growth and joins people with different  beliefs and culture. 

According to your biography, you’ve had nearly 15 exhibitions around the whole world, including Australia, Britain, Ukraine, Uzbekistan, France… Can you remember which exhibition are you most proud of? Anything interesting of those exhibitions you would like to share with us?

I remember all the exhibitions, and they all have their own history and importance for me. But one of the most interesting was when I got the invitation from Australian well known digital artist Parys St Martin to participate in The International digital art exhibition of  “Cyber art to the dining table”, in Australia 2003.

The exhibition required art works in digital format, and even though I create everything with my hands, the organizers were glad to have me participated in the exhibition. With participating in this (unusual for me) art exhibition, I found new friends and we still continue our collaborations.

A big role in my art career is my collaboration and mainly the friendship with an American residence of Tauni Greener, who lives in Montana (U.S). And everything started with a simple group exhibition of Azerbaijani artists in a gallery in Baku. She became my sponsor and art manager for several projects held  not only in Azerbaijan, but also in USA, and other countries as well. She even got a proposal from Sony musical company designers to use my art pictures in Bob Dylan CD cover. This project we could not get off the ground for some reasons. At that time, I even did not have a web site and other necessary materials for promotion of my art. But she could organize a great  personal exhibition in Montana, Bigfork  and opened my website of www.mehribanefendi.com and organized a contract with Digi Pix company to print the copies of my pictures and found a sponsor as “Weatherford” company based on Germany which has led to my being discovered by art critiques. So that’s how it all started.

Again, getting back to your bio, that states you as the leading specialist of the State Film Company of Azerbaijan, and also a member of film directors Guild of Azerbaijan, Union of Cinematographers Russia(CIS)… all of these pretty much connected with Film… being an artist, have you ever had anything to do with films? Have you ever considered acting, or directing?

I am, in fact, a filmmaker too. I work at the film Studio of “Azerbaijanfilm “as the head of the department of preparation to shooting films. I have worked in many Feature and TV films as an art director and as a costume designer too. One of my last international film projects was “Absurdistan “ by famous German film director Veit Helmer, of German/Azerbaijani Production. I was the costume designer for this interesting film which has gotten more than 15 international  prizes as the best film in more than 50 film festivals around the world.

I am proud of my work in such Azerbaijani films like “Hotel Room” by Rasim Odjagov, Melody of Space and “Strange time” by Huseyn Mehdiyev, which won 4 international prizes like in Madrid film festival. I know one thing, that whatever I do, I like to do it with a full heart and imagination. Wherever I am, I carry the main mission of my creativity of spreading to the world through my art pictures. And that is love, Peace and Harmony.


T. Teymur
/Today.Az/



http://www.today.az/news/entertainment/68941.html
May 24th

Custom Orders – Painting by Personal Guidelines

By Laura Barbosa

There is nothing more confining then having someone who is not an Artist tell you how to paint. For me, this is a love/hate relationship because I get awesome clients most of the time and bad clients every so often.

In dealing with a person who insists that they know art better than the artist (Bad Client) can be very challenging. This is where you MUST separate yourself from the soul of painting and become a worker to whomever has hired you. You will know whether the client you have acquired for your custom order will be hard to deal with or a pleasure right from the start. As Artists, we can feel what kind of experience is to come! People that do not have a sense for true art usually order cheap work. This is the first sign of trouble. The second sign is a list of letters and demands telling the artist how EXACTLY they need to paint their artwork. As a professional, you must remain very PATIENT and COMPOSED in order to pull this kind of work out of the hat, so to speak. If you really need the money like most of the starving artist’s who survive solely on painting for profit do, you must adhere to your client’s guidelines and this can be daunting. Especially when you know the art will look horrible the way they want you to paint it.

My recent decision to stop all custom commissions that delegate my talent in unfavorable directions is  a good one.  It is a good choice for the mind and the soul to NOT take orders that disintegrate your artwork by any means.

A good client is one that orders with great enthusiasm and confidence that the Artists will finish the piece on their own and use their talent to achieve what they have ordered without a list of demands.

My advice for people who are ordering custom artwork: You must first LOVE the Artist’s style of painting before ordering anything. The second thing is that you must have 100% confidence in the chosen Artist’s talent. The 3rd and most important thing is not to demand Your Own Style and try to change your artist in any way. You must rejoice in your Artist and LOVE their art full heartedly, if you don’t, than any machine can handle your task efficiently and to your exact specifications.

If you are an ARTIST and wish to share your story, please leave a comment!  Thank you

Jan 23rd

Selling your art? Think outside the box.

By Adrian

Licensing Art to the Jigsaw Puzzle Industry

People love the challenge in putting together jig-saw puzzles and in over 200 years after its inception it is a thriving industry. Jisaw puzzles were originally manufactured to teach children geography in the 1760s ("Jigsaw Puzzle History"). Today children still learn about geography with jigsaw puzzles. Also, with the vast amount of available images on puzzles, assembling them have become a popular form of family entertainment.

Jigsaw puzzles are not only manufactured in the original horizontal format but as ovals, circles, square, vertical and in various freeform shapes depending upon the images place on the puzzles. Some even are three dimensional shapes such as globes, animals and buildings. And puzzles do not always have just a plain 2D picture printed on them but are embellished with glitter, perfume, or with a 3D image. Puzzles are not only made with cardboard but with wood, plastic, and rubber. Note: Wooden puzzles are expensive to produce and they are usually made one at a time. Many times the licensing deal that those manufacturers offer to artists is to put the artists art on their website. "If" the art is chosen by a customer, the manufacturer will product the puzzle and the artist will get paid (royalty or flat fee) for the use.

Puzzle manufacturers normally want art that:
1. has bright and saturate colors
2. have an awe factor such as cute kittens, children playing, beautiful scenery and florals, or landmarks that generates an emotional response in the customer.
3. does not have a lot of "white space." Too much white space makes the puzzle difficult to assemble. But if the painting is of a popular subject or was painted by a well known artist, the amount of white space does not seem to matter.
4. in a rectangular horizontal format which is the most used. However, some manufacturers produce puzzles in other formats as mentioned above so art created in other formats can also be used for puzzles.

Some jigsaw puzzle manufacturers specialize in producing puzzles for different speciality markets such as colleges, museums, children, teens, or mystery while others cater to the general retail market. In order to find out what type of images each manufacturer puts on their puzzles, you need to check out their websites and call them for their art submission guidelines if they are not listed.

Jigsaw Puzzle Manufacturers List
Buffalo Games
Ceaco
Elms Puzzles (wooden puzzles)
Great American Puzzle Factory
Heritage Puzzle
Masterpiece Puzzles
Melissa and Doug
Ravensburger
Spilsbury
Springbok
Stave Puzzles (wooden puzzles)
SunsOut
TDC Games
White Mountain Puzzles Inc

Joan Beiriger.

As a self proclaimed art licensing junkie, Joan continually searches for info about art licensing. Please visit her site to read more.

http://joanbeiriger.blogspot.com/
Jul 6th

Mehriban Efendi

By Mehriban Efendiyeva

Lets change the world around with colorse!

all artists can join together and creat a wonderfull world withought war,bounderies,discreminations...
i belive we can do it with or effort and desire..Just what we need is to wish!
We are the beloved children of the Creator.
Artist Mehriban Efendi
www.simpley.com/mery
www.mehriobanefendi.com

P.S.Send me a feedback...

http://www.hollywood.com/celebrity/5391463/Mehriban_Efendiyeva

https://www.kino.de/star/mehriban-efendiyeva/video/286248.html

https://www.kino.de/star/mehriban-efendiyeva/video/286248.html

 

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